Revised Version of The Turner’s Skeleton Comes to Town

Hello Readers

I didn’t want to lose the previous version and preamble, so I took the easy way out and left it here.

IN the story entitled The Turner’s Skeleton Comes to Town, a being that is trapped in the underworld gets to visit an artist, wreak havoc at Christmas, and remember the experience.

The writer explores the themes of the world of imagination and the kind of immortality available through creative pursuits. The story is attentive to setting, more than other earlier works, references the horror genre, and is more obviously self-reflexive.

Experiments with weirdness continue.

 

The Turner’s Skeleton come to town

I chose that title because I was sick of being an entity without agency, and I wanted to tell my story. I want you to imagine you are me. Afterwards forget May, my dear, that you’ve been unfortunate enough to see me. When these brief Christmas moments ripped from eternity are gone, forget that you thought that this was real. Go on thinking it was a strange dream. That you found your own freedom to celebrate Christmas, no longer working yourself to exhaustion. That’s a lot of freedom for you.

Why did you struggle so much?

Your freedom to this Skeleton who’s done the bidding of your ancestors for two hundred years, seems infinite. Since I’ve had a chance to meet you I understand more about choices, and about surprises. For these brief minutes indulge me as I imagine you are me, and you imagine too.

The ghosts wake your bones from the deepest sleep you’ve had in the past fifty years. It doesn’t matter if you think their reason does not approach the urgent. The head ancestor calls you from your grave deep beneath Devonport. The earth trembles and opens as if it were put into a sifter, and it shakes away from you as you rise. Reaching the surface, you roll in the refuse of what feels and smells like mature bottlebrush. You don’t have flesh to wobble, tremble or bruise but your mandible rattles along with your knees. Like an amputee you experience some sensory stimulus where your failing flesh used to be. Your senses of smell, touch and hearing remain; your sight is you believe controlled utterly by what the ancestors want you to see. Most of the time they lead you blind. You experience continual surprise when you are vertical and moving. You smell and touch things without smashing into them. Vegetation parts around you. A weighty substance drips from your jaws and rolls down your stout bones. It smells like hot metal and murderous mercury. You shudder. When it reaches your knees, you feel the stickiness of webs and the wriggling of avid arachnids. You stand erect, brushing the drooping leaves with your vertebrae. You know that this job is another payback for some Turner descendant’s resented mendacity about the practice of Christmas tradition; briefly summed up with the prosaic words, “someone’s not doing it right”. These words were uttered by the ghost of the two generations’ past Matriarch. You wish that these ancient ghosts were unaware of the attitudes of their descendants. Alas they are, and you are the suffering servant of whims.

Lately, you have learned that May Turner.

Who is she?

You get the answer. May is the great granddaughter of the Matriarch, who has become aware that May is enjoying developing her considerable artistic talent. May is failing in her duty to personally prepare every Christmas delicacy anticipated by her three adult children and their partners.

Begads! There are imprecations galore during the discussion amongst the ancestors. May is enjoying selfish pursuits in no other space than her privileged husband’s shed. She has converted it into a painting studio, with the help of a skylight, some shelving, and reorganisation. While arising from your deep clay grave you were shown in the crystal skull, a magical device that has nothing to with your own cranium, the indifference shown by May. This indifference was displayed when her husband came home from a business trip to discover his shed had become unrecognisable.

Now remember you are taking my point of view, don’t look smug. It’s irrelevant now that you got a fantastical deal on that skylight.

You consider the rumour that has reached you: this past July May did not make Christmas pudding herself. You welcome your remaining sense of smell as the warmth of plump raisins and brown sugar saturated in brandy reaches you. She called Chef Jenny, a local caterer, to make the puddings she would present to her family. You are here to contaminate those heavenly scented creations. A strange sensation like a tic in the middle of your spine starts while molten drops pour from your eye sockets. Words like shame and regret nudge you. You try to control this process, but it does no good; the more you think about those words the more the molten drops pour. Webs and spiders appear up to what used to be your waist.

You approach Chef Jenny’s restaurant pantry. In imagination the morning sun is turning all the melted frost to prisms on the nearby grass. There is a vague recollection the sight might be called beautiful though you are blind to it now. Sensing you are close to the back of the restaurant, you smell cigarette smoke. Someone must be standing there. You go forward and find an unlocked door. Your joints are stiff, and your phalanges seem to rattle as you try to open the door. The smoker is heedless. You remind yourself that no one can hear you unless they have previously seen you. They cannot see you by sun: sufficient LED light can expose you to someone with 20/20 vision.

A welcome thought: perhaps this will make you useless to the ancestors in the 21st century, and they will let you sleep in peace.

With difficulty you open the screen door and find yourself in what must be a food storage. There you smell bicarbonate of soda, spices, dried fruit, and odours you don’t recognise.

As you clank your bones against stainless steel drums, a voice shouts, “Is that you Roy? I’m going into the suppliers to get some fresh stuff. They sent me something I can’t use.”

You wonder about the powers of what you presume is Chef Jenny. It seems no one told her that she couldn’t hear you. Your whole slavery is a mystery, if the ancestors are being mendacious with you, who will stop them?

You stand stiffly by the shelving as Roy’s voice answers the voice within. “I’m still outside. Maybe something has collapsed in the pantry. I’ll check.”

You hear the door bang, heavy footsteps, living-body odour and cigarette smoke.

“Everything’s OK.”

He walks away from you, and then you hear, “I’ll start the stock for the casseroles, and peel the potatoes.”

“Thanks. You should be able to make the sweet and the savoury pastry before I get back too.”

You hear another door slam, and water running. The sound of metal surfaces contacting one another. The thud of a heavy door closing.

You move forward until you feel the straight side of a stainless-steel bin. You reach past it and feel a long expanse of the same stainless steel. You climb onto the bench, and opening the lid of the bin, dangle your phalanges in. There are six bins containing various types of flour and sugar. All of them get the treatment. Your right shoulder twitches as you scent delicious brandy again. Following your senses, you get closer until you extend your forearm, and your finger bones touch glass. You are surprised. Surely you shouldn’t be able to smell through glass. Perhaps there is residue on the outside. You enjoy smelling for a while.

When you leave by the door you entered through, you hear footsteps and Roy’s voice calls, “Who’s there?”

What’s happening? Is there something about this place that causes people to hear you?

You hear a crunching sound and a cloud of dust surrounds you.

You see a bright red automobile pull up beside you. Later you learn via the ancestors’ report that she wore blue, a grey wool hat on her curly black hair and a multi-coloured scarf around her neck. The person walks around the building you just came out of. The perfume of roses and sharpness of oil paint, tempt you to follow the small person you think must be a woman.

She (you decide she must be a woman) returns a minute later with a box containing what smells like raisins and brandy, warm spices, with brown sugar and butter. You realise something could be awry with the plan. Is this May? You sense the answer is yes. You realise you must go with her and determine her identity. Because if it is May, your mission is uncompleted. The puddings she has were already prepared when you arrived and will not be affected by your treatment.

She stares when the back door of her car opens and shuts. What could you do? A word ‘panic’ seems to take form and shimmer around you. You sit tall and silent in the back seat amongst her jumble consisting of a coat, books, a paint smock, and exercise books. She stands quietly staring at her car. She shakes her head and gets in.

You hear her say, “Must have something to do with giving free reign to the imagination. I’ll get used to it.”

The car begins to move, and you struggle to keep your knees from knocking together.

After a while the car stops, you hear a car door open and shut. You hear another door open and you smell the gorgeous scent of the rich pudding again. You hear a beep and a thunk. The footsteps retreat, and the smell gets less and less. The chirping of birds seems louder and louder in the silence. A chill breeze brushes your knuckles.

 You think, how will I get out of this car?

Despite the breeze you are feeling very warm, when you hear a beep and the sound of the locks on the car thudding into place, you jump. The back door of the car opens, and the woman leans across you feeling for something in the mess. Remember she cannot experience you with the senses you have – smell, touch and hearing, and in sunlight she cannot see you. The explanations of the Matriarch seem to echo in your rib cage. She doesn’t know I’m here.

You feel the woman pull out two flat papery things from under your thigh bones. You feel a stronger breeze and take the chance the door is open. Quickly, with a reptilian glide you slip out the door and behind her, she leans over and slams the door. You hear the beep again. You follow. You smell damp bark chips, musty wood, then feel stuffy warmth, and smell oil paint and musk roses. You brush against a wooden bench and sit. You feel the woman right next to you. Pages rustle, you feel the brush of an elbow. You lean away and shuffle until air meets you and you drop to the hard-concrete floor. The woman gasps. You wait for a long time in the silence. Pages rustle again. The woman says aloud, “I am May Turner. I am an artist now and always.”

You nod though no one can see you. You are in the right place.

A long time passes during which you hear the woman talking softly to herself, and the scratch of pencils on paper and canvas. She pauses once, and you hear the grind of a pencil in a large sharpener. You are surprised when you hear quick movements and feel her right next to you. The clatter of wood, the smell of paint, the swish of liquid, the tap of wood against glass, the warmth of roses and oil moves past you again. The canvas is being daubed with paint. You find the sounds and smells soothing.

Bang!

Your skull is ringing. The air is cold, and you hear footsteps. There is silence all around, and as the nagging of the matriarch is remembered: you long for oblivion. Realisation brings the knowledge that you are in the same space, but May is not. Banging your head again, you realise you are lying with your skull under the bench where May stores her paints. Giving a serpentine wriggle you move away from the bench and towards the sound of a metal door tapping in the cool breeze.

Erect, you walk out onto the path. The air now carries wafts of the scent of beef and onion. You walk one direction, and the savoury odour grows faint, you turn the opposite way: it grows stronger and so do your steps. A doorway opens before you.

The rumble of a male voice, answering another male, and breaking into loud guffaws tells you that May is not alone. A steel blade taps against wood. You hear the bubbling of the savoury stew you smelled.

“Evan set the table please”, May’s voice sounds chirpy instead of soft and tremulous. A heavy tread brings a six-foot source of body warmth right up next to you, and the rattle of metal cutlery sounds to your left. Thunk. Thunk. Thunk. Thunk. Thunk. Thunk. The heavy tread gets further away,

May’s voice is low and insistent now. “Evan what about glasses and spoons.”

Footsteps again. The draw is open and the stainless-steel clangs now. He opens an overhead cupboard, and you hear the tap of glass against glass. Three pairs of feet moving around now. Crockery, a waft of beef and onions, the scraping of chairs.

“How was your day?”

No reply except the sound of forks on plates, slurps and chewing.

You can hardly believe it when you lean your tired skull forward, then look up. A blurry image rises in front of you: three torsos floating on a rectangular cloud, two are big, and one is smaller. The black curls you hear about later in the Matriarch’s report appear as a cloud of their own, just for a moment. You nod your skull, and when you turn your facial bones towards the domestic noise again, the image is gone.

Chairs move back from the table, and you hear heavy footsteps move away. A loud sound of cheering, and muted voices talking in the background. Right by you the sound of metal scraping ceramic. A sigh. Softer steps on the move are May’s. You follow. She moves into a narrow space, stops at a door. Creaking sounds and you feel a draft making your vertebrae rattle.

The tap, tap and echo tells you she is descending into the drafty space. You stumble on the first step and feel yourself mess up. Shaking and crashing you descend, landing on cold concrete at the bottom. May almost steps on you as she reaches the bottom of the stairs. You roll away from the faint warmth emitted by her presence. She stops, a cupboard door creaks. The fragrance, the warm spicy fragrance of Christmas pudding is both a pleasure, and the welcome sign that your mission could soon be completed. Muffled thuds, and the snap of doors closing. Footsteps ascend the stairs, as you lie coffin still. You go to the cupboard and find it empty. The fragrance lingers. You haul yourself up the stairs by both rails, hopping onto every second step. The door is ajar, and you find yourself in the hall.

Where is May?

In the kitchen eating uncontaminated pudding?

You feel disorientated but find your way back to the living area. Muffled roaring and cheering, excited voices but none sounds like May. You return through the door by which you entered and listen for the sound of the shed door. You hear it shut.

A gladness that you have no voice is sensed. In frustration you would use it now.

Gah!

The shed door opens to you and you are back in the concrete space, with pungent oil and softer rose. Too late you realise you stand in the glare of an LED lamp.

Insistent words from May, “Who are you? Who are you?”

Turning, you rattle and stumble away. Lurching from side to side, staggering back along the gravelly driveway, down the rough verges of the country lane. Wearily, you huddle under the bottlebrush that marks your entry into the nether realm of the ancestors. Stuck, you cannot return without finishing the mission, and you cannot risk the exposure of LED. A night that seems as long as a century passes.

When you finally feel the warmth of the sun, every bone is dripping with wetness. Standing you find your joints clogged with thick sacks of spider silk that make it cumbersome to move. The arachnids have insulated their progeny from the frost at your expense.

May cannot see you by sunlight. The mission must be fulfilled.

A cloud of dust greets you at the entry to May’s driveway. A film of mud now sullies everything about you. The contact of rough bluestone tells you that you’re entering the driveway. The path to the shed is before you and you retrace your bumbling steps.

Silence in the shed. You move around the whole space. Meditating on each smell, a trance of sensation you have not felt in a hundred years bubbles around you. Let this be the last moment before oblivion. Please.

Does the matriarch laugh, or is that some vividly remembered sound?

You stand. You move to the bench where you heard May’s voice. You sit.

For seconds your vision exists: the canvas in front of you is haloed. A skull of silver in a bed of magenta roses. A tiny blue-winged bird with a black head, and fan-shaped tail sits on the skull. The skull is yours. You without the weight of your body. You objectified.

Macabre beauty for a transcendent moment.

A flash and it is gone.

Your spider bugged cage of being crashes back to your present hell.

Search for the puddings. Search for the puddings. A rhythm of vibrations that you sense as words, as if a heart still beat beneath your rib cage.

On a whim, isn’t it all about whims, you return to the cellar discovered the night before. The cupboard when opened contains the strong smell of pudding.

Why were the puddings taken away the night before?

You place your bony digits inside and shuffle them until arachnidom is awakened. The glistening glowing eggs descend like dew, and the puddings are cursed.

Returning to the place from which you came, you sleep the deepest sleep of regret found in two hundred years. The ancestors awaken you too soon – five months later to the day in fact. They restore your sight, so you can join them in watching their practical pettiness in the crystal skull.

May and the two men, plus another man whom you’ve never seen before, along with two women, sit around a table decorated with red candles and golden tinsel.

In front of each one is an empty, gravy smeared plate. The cheeky blonde woman gets up, and turns to Evan. “Now you can eat the traditional pudding you been trying to steal for months.”

Everyone at the table laughs. The man next to Evan fills their empty, smeared glasses with champagne. The blonde comes back with one of the puddings. Glossy egg custard, vanilla bean ice-cream, fruity brown pudding in deep crystal bowls is placed before them all. The blonde gets the rest of the pudding, in case second helpings can be stuffed into swollen bellies. The Matriarch snickers in anticipation. They eat, and sigh with satisfaction. They are discussing putting on a DVD of The Grinch to nap by when it happens.

The one called Evan vomits wriggling arachnids across the already destroyed repast, and the remains of a writhing pudding. There is screaming. There is running. Your spine aches with regret. The ugly pointlessness of spite.

The warm intent of May’s painting: the curves of Skull amongst velvety roses is the imagining you choose. It is your first choice for ages. The painting of you was a gift, and you responded out of not only duress, but habit. You literally have no heart left. You are surprised to see, in your big toe, a twitch that used to accompany the feeling of shame. Released from the viewing, you stumble back to your coffin for the longest, deepest sleep of your shady career.

A sweet dream visits you there in the blackness. You return to May’s shed studio. You enjoy watching her paint for what seems like forever. Avid arachnids are obliterated by the artist’s canvases infused with awakened imagination and acceptance of death. The dream changes over the weeks, into something that reminds you of life before you were an ancestor’s lackey. Sometimes you quiver with a kind of after world malaria — so the ancestors presume. They are reluctant to trust you with another job.

You dream May has painted a landscape with red waratahs, golden callistemon, blue hills, and plains of ochre. There you are suspended in mid-air at the centre, depicted with your bony digits against your mandible in a landscape consisting of your most beloved elements. In the background between the hills is a miniature selfie of May surveying her work. It’s vibrant, as comforting as a family quilt. You become a kind of muse, and you imagine that you are free from the infinite world of the dead.

You dream the one you visit sees you and hears the story with rapt attention. Your apology is accepted. It will be a secret between the two of you, this weird family secret that relieves the artist from the duty of making pudding when she could be making art.

She laughs saying, “Though you made puddings artful to say the least.”

You both admit to being glad that Evan has learned again to accept the very existence of Christmas pudding made by Chef Jenny.

The tiny bit of agency inspired in you by another’s boldness is spent, but the romancing of the skull in oil paints remains.

Did you really see me?

Will you paint a thousand words about me again?

The End

 

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The Turners’ Skeleton Comes to Town

The Turner’s Skeleton Comes to Town

[ Many thanks to the Creswick Critique group, especially David, Frank and Christine, whose earnest commentary on former versions of this story, got me out of the hotchpotch  this story was, and into the weird version I truly wanted. You got me thinking…

Happy Writing Friends ! ]

I chose that title because I was sick of being an entity without agency, and I wanted to tell my story. I want you to imagine you are me. Afterwards forget, May my dear, that you’ve been unfortunate enough to see me. When these brief Christmas moments ripped from eternity are gone, forget that you thought that this was real. Go on thinking it was a strange dream. That you found your own freedom to celebrate Christmas, no longer working yourself to exhaustion. That’s a lot of freedom for you. Why did you struggle so much?  Your freedom to this Skeleton who’s done the bidding of your ancestors for two hundred years, seems infinite. Since I’ve had a chance to meet you I understand more about choices, and about surprises. For these brief minutes indulge me as I imagine you are me, and you imagine too.

The ghosts wake your bones from the deepest sleep you’ve had in the past fifty years. It doesn’t matter if you think their reason does not approach the urgent. The head ancestor calls you from your grave deep beneath Devonport. The earth trembles and opens as if it were put into a sifter, and it shakes away from you as you rise. Reaching the surface, you roll in the refuse of what feels and smells like mature bottlebrush. You don’t have flesh to wobble, tremble or bruise but your mandible rattles along with your knees. Like an amputee you experience some sensory stimulus where your failing flesh used to be. Your senses of smell, touch and hearing remain; your sight is ,you believe, controlled utterly by what the ancestors want you to see. Most of the time they lead you blind. You experience continual surprise when you are vertical and moving.  You smell and touch things without smashing into them.  Vegetation parts around you. A weighty substance drips from your jaws and rolls down your stout bones.  It smells like hot metal and murderous mercury. You shudder. When it reaches your knees, you feel the stickiness of webs and the wriggling of avid arachnids. You stand erect, brushing the drooping leaves with your vertebrae. You know that this job is another payback for some Turner descendant’s resented mendacity about the practice of Christmas tradition; briefly summed up with the prosaic words, “someone’s not doing it right”.

These words were uttered by the ghost of the two generations’ past Matriarch. You wish that these ancient ghosts were unaware of the attitudes of their descendants. Alas they are, and you are the suffering servant of whims.Lately, you have learned that May Turner (who is she?) the great granddaughter of the Matriarch is enjoying developing her considerable artistic talent. She is failing in her duty to personally prepare every Christmas delicacy anticipated by her three adult children and their partners.

Egads! she is enjoying selfish pursuits in no other space than her privileged husband’s shed. She has converted it to a painting studio, with the help of a skylight, some shelving, and reorganisation. While arising from your deep clay grave you were shown in the crystal skull, nothing to do with your own, the indifference shown by May. This indifference was displayed when her husband came home from a business trip to discover his shed had become unrecognisable.

Now remember you are taking my point of view, don’t look smug. It’s irrelevant now that you got a fantastical deal on that skylight.

You consider the rumour that has reached you: this past July May did not make Christmas pudding herself. You welcome your remaining sense of smell as the warmth of plump raisins and brown sugar saturated in brandy reaches you. She called Chef Jenny, a local caterer, to make the puddings she would present to her family. You are here to contaminate those heavenly scented creations. A strange sensation like a tic in the middle of your spine starts while molten drops pour from your eye sockets. Words like shame and regret nudge you.  You try to control this process, but it does no good; the more you think about those words the more the molten drops pour.  Webs and spiders appear up to what used to be your waist.

You approach Chef Jenny’s restaurant pantry, sensing you are close, you find an unlocked door, besides which you smell cigarette smoke. Someone must be standing there. In imagination the morning sun is turning all the melted frost to prisms on the nearby grass. There is a vague recollection the sight might be called beautiful though you are blind to it now. Your joints are stiff, and your phalanges seem to rattle as you approach the door. The smoker is heedless. You remind yourself that no one can hear you unless they have previously seen you. They cannot see you by sun: sufficient LED light can expose you to someone with 20/20 vision.  Perhaps this will make you useless to the ancestors in the 21st century, and they will let you sleep in peace.

With difficulty you open the screen door and find yourself in what must be a food storage. There you smell bicarbonate of soda, spices, dried fruit, and odours you don’t recognise. As you clank your bones against stainless steel drums, a voice shouts, “Is that you Roy? I’m going into the suppliers to get some fresh stuff. They sent me something I can’t use.”

You wonder about the powers of what you presume is Chef Jenny. It seems no one told her that she couldn’t hear you. Your whole slavery is a mystery, if the ancestors are being mendacious with you, who will stop them?

You stand stiffly by the shelving as Roy’s voice answers the voice within. “I’m still outside. Maybe something has collapsed in the pantry. I’ll check.”

You hear the door bang, heavy footsteps, the smell of sweat and cigarette smoke.

“Everything’s OK.”

He walks away from you, and then you hear, “I’ll start the stock for the casseroles, and peel the potatoes.”

“Thanks. You should be able to make the sweet and the savoury pastry before I get back too.”

You hear another door slam, and water running. The sound of metal surfaces contacting one another. The thud of a heavy door closing.

You move forward until you feel the straight side of a stainless-steel bin. You reach past it and feel a long expanse of the same stainless steel. You climb onto the bench, and opening the lid of the bin, dangle your phalanges in. There are six bins containing various types of flour and sugar. All of them get the treatment.  Your right shoulder twitches as you scent delicious brandy again. Following your senses, you get closer until you extend your forearm, and your finger bones touch glass.  You are surprised. Surely you shouldn’t be able to smell through glass. Perhaps there is residue on the outside.  You enjoy smelling for a while.

When you leave by the door you entered through, you hear footsteps and Roy’s voice calls, “Who’s there?”

What’s happening? Is there something about this place that causes people to hear you?

You hear a crunching sound and the smell of petrol fumes meets you.

You see a bright red automobile pull up beside you. Later you learn via the ancestors’ report that she wore blue, a grey wool hat on her curly black hair and a multi-coloured scarf around her neck. The person walks around the building you just came out of. The perfume of roses and sharpness of oil paint, tempt you to follow the small person you think must be a woman.

She (you decide) returns a minute later with a box containing what smells like raisins and brandy, warm spices, with brown sugar and butter. You realise something could be awry with the plan. Is this May?  You sense the answer is yes. You realise you must go with her and determine her identity. Because if it is May, your mission is uncompleted.  The puddings she has were already prepared when you arrived and will not be affected by your treatment.

She stares when the back door of her car opens and shuts. What could you do? A word ‘panic’ seems to take form and shimmer around you. Instead, you sit tall and silent in the back seat amongst her jumble consisting of a coat, books, a paint smock, and  dog-eared exercise books. She stands quietly staring at her car. She shakes her head and gets in.

You hear her say, “Must have something to do with giving free reign to the imagination. I’ll get used to it.”

The car begins to move, and you struggle to keep your knees from knocking together.

After a while the car stops, you hear a car door open and shut. You hear another door open and you smell the gorgeous scent of the rich pudding again. You hear a beep and a thunk. The footsteps retreat, and the smell gets less and less. The chirping of birds seems louder and louder in the silence. A chill breeze brushes your knuckles.

 You think, how will I get out of this car?

Despite the breeze you are feeling very warm, when you hear a beep and the sound of the locks on the car thudding into place, you jump. The back door of the car opens, and the woman leans across you feeling for something in the mess. Remember she cannot experience you with the senses you have – smell, touch and hearing, and in sunlight she cannot see you. The explanations of the Matriarch seem to echo in your rib cage.

She doesn’t know I’m here.

You feel the woman pull out two flat papery things from under your thigh bones. You feel a stronger breeze and take the chance the door is open. Quickly, with a reptilian glide you slip out the door and behind her, she leans over and slams the door. You hear the beep again. You follow. You smell damp bark chips, musty wood, then feel stuffy warmth, and smell oil paint and musk roses. You brush against a wooden bench and sit. You feel the woman right next to you. Pages rustle, you feel the brush of an elbow. You lean away and shuffle until air meets you and you drop to the hard-concrete floor. The woman gasps. You wait for a long time in the silence. Pages rustle again. The woman says aloud, “I am May Turner. I am an artist now and always.”

You nod though no one can see you. You are in the right place.

A long time passes during which you hear the woman talking softly to herself, and the scratch of pencils on paper and canvas. She pauses once, and you hear the grind of a pencil in a large sharpener. You are surprised when you hear quick movements and feel her right next to you. The clatter of wood, the smell of paint, the swish of liquid, the tap of wood against glass, the warmth of roses and oil moves past you again. The canvas is being daubed with paint. You find the sounds and smells soothing.

Bang!

Your skull is ringing. The air is cold, and you hear footsteps. There is silence all around, and as the nagging of the matriarch is remembered: you long for oblivion. Realisation brings the knowledge that you are in the same space, but May is not. Banging your head again, you realise you are lying with your skull under the bench where May stores her paints. Giving a serpentine wriggle you move away from the bench and towards the sound of a metal door tapping in the cool breeze.

Erect, you walk out onto the path. The air now carries wafts of the scent of beef and onion. You walk one direction, and the savoury odour grows faint, you turn the opposite way: it grows stronger and so do your steps. A doorway opens before you.

The rumble of a male voice, answering another male, and breaking into loud guffaws tells you that May is not alone. A steel blade taps against wood. You hear the bubbling of the savoury stew you smelled.

“Evan set the table please”, May’s voice sounds chirpy instead of soft and tremulous. A heavy tread brings a six-foot source of body warmth right up next to you, and the rattle of metal cutlery sounds to your left.  Thunk. Thunk. Thunk. Thunk. Thunk. Thunk. The heavy tread gets further away,

May’s voice is low and insistent now. “Evan what about glasses and spoons.”

Footsteps again. The draw is open and the stainless-steel clangs now. He opens an overhead cupboard, and you hear the tap of glass against glass.  Three pairs of feet moving around now. Crockery, a waft of beef and onions, the scraping of chairs.

“How was your day?”

No reply except the sound of forks on plates, slurps and chewing.

You can hardly believe it when you lean your tired skull forward, then look up. A blurry image rises in front of you: three torsos floating on a rectangular cloud, two are big, and one is smaller. The black curls you hear about later in the Matriarch’s report appear as a cloud of their own, just for a moment.  You nod your skull, and when you turn your facial bones towards the domestic noise again, the image is gone.

Chairs move back from the table, and you hear heavy footsteps move away. A loud sound of cheering, and muted voices talking in the background. Right by you the sound of metal scraping ceramic. A sigh.  Softer steps on the move are May’s. You follow. She moves into a narrow space, stops at a door. Creaking sounds and you feel a draft making your vertebrae rattle.

The tap, tap and echo tells you she is descending into the drafty space. You stumble on the first step and feel yourself mess up. Shaking and crashing you descend, landing on cold concrete at the bottom. May almost steps on you as she reaches the bottom of the stairs. You roll away from the faint warmth emitted by her presence. She stops, a cupboard door creaks. The fragrance, the warm spicy fragrance of Christmas pudding is both a pleasure, and the welcome sign that your mission could soon be completed. Muffled thuds, and the snap of doors closing. Footsteps ascend the stairs, as you lie coffin still. You go to the cupboard and find it empty. The fragrance lingers. You haul yourself up the stairs by both rails, hopping onto every second step. The door is ajar, and you find yourself in the hall.

Where is May?

In the kitchen eating uncontaminated pudding?

You feel disorientated but find your way back to the living area. Muffled roaring and cheering, excited voices none  of which sounds like May. You return through the door by which you entered and listen for the sound of the shed door. You hear it shut.

A gladness that you have no voice is sensed. In frustration you would use it now.

Gah!

The shed door opens to you and you are back in the concrete space, with pungent oil and softer rose. Too late you realise you stand in the glare of an LED lamp.

Insistent words from May, “Who are you? Who are you?”

Turning, you rattle and stumble away. Lurching from side to side, staggering back along the gravelly driveway, down the rough verges of the country lane. Wearily, you huddle under the bottlebrush that marks your entry into the nether realm of the ancestors. Stuck, you feel you cannot return without finishing the mission, and you cannot risk the exposure of LED. A night, that seems as if it is a century, passes.

When you finally feel the warmth of the sun, every bone is dripping with wetness. Standing you find your joints clogged with thick sacks of spider silk that make it cumbersome to move. The arachnids have insulated their progeny from the frost at your expense. May cannot see you by sunlight. The mission must be fulfilled.

You stumble into a large mud puddle at the entry to May’s driveway. A film of mud now sullies everything about you. The contact of rough granite that forms the entrance posts tells you that you’re entering the driveway. The path to the shed is before you and you retrace your bumbling steps.

Silence in the shed. You move around the whole space. Meditating on each smell, a trance of sensation you have not felt in a hundred years bubbles around you. Let this be the last moment before oblivion. Please.

Does the matriarch laugh, or is that some vividly remembered sound?

You stand. You move to the bench where you heard May’s voice. You sit. For seconds your vision exists: the canvas in front of you is haloed. A skull of silver in a bed of magenta roses. A tiny blue-winged bird with a black head, and fan-shaped tail sits on the skull. The skull is yours. You without the weight of your body. You objectified.

Macabre and natural beauty together for a transcendent moment.

A flash and it is gone.

Your spider bugged cage of being crashes back to your present hell.

Search for the puddings. Search for the puddings. A rhythm of vibrations that you sense as words, as if a heart still beat beneath your rib cage.On a whim, isn’t it all about whims, you return to the cellar discovered the night before. The cupboard when opened contains the strong smell of pudding.

Why were the puddings taken away the night before?

You place your bony digits inside and shuffle them until Arachnidom is awakened. The glistening glowing eggs descend like dew, and the puddings are cursed.

Returning to the place from which you came, you sleep the deepest sleep of regret found in two hundred years. The ancestors awaken you too soon – five months later to the day in fact. They restore your sight, so you can join them in watching their practical pettiness in the crystal skull.

May and the two men, plus another man whom you’ve never seen before, along with two women, sit around a table decorated with red candles and golden tinsel.  In front of each one is an empty, gravy smeared plate. The cheeky blonde woman gets up, and turns to Evan. “Now you can eat the traditional pudding you been trying to steal for months.”

Everyone at the table laughs. The man next to Evan fills their smeared glasses with champagne. The blonde comes back with one of the puddings. Golden custard, white ice-cream, brown pudding in deep crystal bowls is placed before them all. The blonde gets the rest of the pudding, in case second helpings can be stuffed into swollen bellies. The Matriarch snickers in anticipation.

In the skull you can see May’s family eat, and sigh with satisfaction. They are discussing putting on a DVD of The Grinch to nap by when it happens.

The one called Evan vomits wriggling arachnids across the already destroyed repast, and the remains of a writhing pudding. There is screaming. There is running. Your spine aches with regret. The ugly pointlessness of spite.

The warm intent of May’s painting: the curves of Skull amongst velvety roses is the imagining you choose. It is your first choice for ages. The painting of you was a gift, and you responded out of not only duress, but habit. You literally have no heart left. You are surprised to see, in your big toe, a twitch that used to accompany the feeling of shame. Released from the viewing, you stumble back to your coffin for another long, deep sleep in your shady career.

A sweet dream visits you there in the blackness. In it you find the key to the vision box, and the escape hatch. You return to May’s shed studio. You enjoy watching her paint for what seems like forever. The memory of avid arachnids is obliterated by the artist’s canvases infused with awakened imagination and forgiving acceptance.

You dream the one you visit sees you and hears the story with rapt attention. Your apology is accepted. It will be a secret between the two of you, this weird family secret that relieves her from the duty of making pudding when she could be making art.

She laughs saying, “Though you made puddings artful to say the least.”

You both admit to being glad that Evan has learned again to accept the very existence of Christmas pudding made by Chef Jenny.

The tiny bit of agency inspired in you by another’s boldness is spent, but the romancing of the skull in oil paints remains.

Did you really see me? Will you tell my story?

The End

© D. E. Rebbechi – O’Donnell

25 April 2018 – V.12

 

Day 22: 500 Word Challenge with Jeff Goins

Write about Fear

Fear blog media

I am afraid of not fulfilling my purpose in life. I keep picturing my future as a bus or train arriving on a set schedule and I stand by too busy dreaming to hop on the vehicle of opportunity and journey to my destiny. I am anxious that I am a wastrel: wasting precious hours and minutes comparing, analysing, and dreaming when I should be listening, speaking, acting.

My deepest fears and concerns are about missing something precious. All my life I have grown most concerned when I misplace something, and occasionally lose things all together. Ironically, I am poor at putting things back in the same place, so I have multiple cheap versions of the things I use all the time black pens, notebooks, journals, water bottles, and jackets.
I want to write profound, ironic, emotional and uniquely expressed articles and stories. The longer I do this with no change in my audience the more frightened I become. In the last twelve months when I’ve been stressed I stop writing for days, even a whole week at a time. Lately, I’ve been feeling my brain grow fearful of writing. It is as if my brain is saying no, no to the thing I am most passionate about because I put in so much effort and grow excited, only to discover people don’t know, and when they do know they are not interested. I am worried about the adrenalin spike when I think of writing, as if my brain is perceiving the act of writing as a threat. How self -defeating!
Tenaciously, I determine to press in. Although my writing of morning pages is becoming spasmodic, I keep telling myself I am a writer.
I say to my weary brain, “You are a writer. You thrive when writing.”
Sometimes I feel anxiety and judgement saturate my grey matter.
They are saying, “Writing is associated with the breakdown of your marriage. Writing has robbed you.”
I reply, “Writing has given me a richer way of living. It has given me the motivation to open myself to observe the world and others, continue to be sensitive and loving towards them, despite my failures. Writing, editing, and the study I did, and the friends I made because of it, have enriched me.”
The inner judgement nags on, “But you did not do very well in your Masters Studies this year. Really you didn’t do much more than pass. I saw your disappointment at the deadlines. You knew your work was mediocre.”
Those words sting, but I pull myself up by the mental boot straps. I remember that I have always been determined when I decide to do something. Seldom have I quit anything halfway through. I’m uncertain of my destination, but I know the journey is not over. I am a hard worker, though I struggle. Knowing I did not try my best is what I fear the most.
Tomorrow I will keep writing the short story challenge and rebuild a new life.

Capture butterfly

Some links for you:

My dear friend Nicole – The Short Story Queen : https://theshortstoryqueen.wordpress.com/

Check out Cristian Mihai : https://cristianmihai.net/

A link to Jeff Goins website : https://goinswriter.com/

 Links to past posts I’ve been thinking about.

https://factitiousvignettes.wordpress.com/2017/05/04/may-a-photo-poem

https://factitiousvignettes.wordpress.com/2016/03/21/lady-gaeophias-wisdom

 

Table Two: Joseph Suglia

Dr Joseph Suglia demonstrates his erudition with the powerful use of a dream and run-on sentences bringing magic to Table 2 of his work”Table 41″. I almost feel guilty using quotation marks as he eschews them in the work in favour (favor- ok) of an emdash introducing dialogue. This formatting also makes his work more pleasurable and unique.

Table 41: A Novel by Joseph Suglia

And now you slowly awaken.

You are awake. But where are you?

You are not yet alive. Or rather, you are alive. But you have no idea where you are.

The day’s eye closes and then uncloses again. The morning robs the room of its deep shadows, pressing the dead night more deeply into the darkness. Drawing the curtains of your eyes shut, you can feel the light closing in around you.

Rocking your head back and forth in refusal, you are only dimly aware of where you are.

You are in a hotel. That is where you must be.

You are steeped in the swirling sheets of a rent-a-bed at the Lincoln Park Inn, 601 West Diversey Parkway.

Why are you in a hotel?

Bursting into the world of consciousness with the elegance of a rabid muskox, you no longer remember who you used to be.

The dawn undarkening…

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The Pearl Bond

[This story has been through a lot of drafts, mainly fixing errors in sentence structure, timing and tense.  I also took on the feedback of an editor who felt the story was too sad. I believe there is a catharsis in hopeful realism which reflects how our actions affect others.This story is one probably told, or played out many times before, but like all writers I hope my developing voice  and distinctive moments help the reader see things from a different perspective.]

 
Marie-Claire slipped into her short black evening dress. Its’ cunning cut flattered her tall slender figure and showed off her shapely legs. The V-neck of the bodice was enhanced by a pearl and aquamarine cross, attached to a string of pearls, the gift of her maternal Grandmother. She decided to pair the cross with the blue Tahitian pearl studs that once belonged to her father’s Aunt. They were a prized gift on her 18th birthday, a little over 17 years before.

She remembered Cousin Michelle had whispered to her as she opened the box containing the ear studs, “I’m sure my Mum would have wanted you to have these.”

She’d been thrilled with the gift of the unusually coloured pearls. She modelled them for her father.

He patted her shoulder as she stood in front of him saying “Dad, what do you think?”

“They’re lovely,” he said, his eyes and smile stayed on her. She knew he was proud of her all together.

The thought of her father gave a pain that seemed to sit behind her sternum. She blinked away tears.

His photo stood on a tallboy near her bedroom door. It was taken a few years before he had died; it was a portrait taken on the night of her 25th birthday. He looked so happy, as they both did before her mother’s death.  His cropped black hair bore two silver streaks along the hairline, passing back from his forehead and above his ears. His blue eyes were bright.  His high cheekbones, which she had inherited, cast a slight shadow above his square jawline. His bow-shaped mouth had a full lower lip and with his gentle smile softened the sculptured lines of his face. His was a distinguished, attractive face, and beloved. She hummed Dad’s favourite The Dance of the Sugar Plum Fairies as she waltzed back to the mirror and looked at herself.

She had inherited his midnight hair, high cheek bones and full bottom lip, but she had her mother’s softer jawline , rounded nose, and  deep brown eyes. She liked to think she was the perfect mix of both parents, especially tonight. She was going to a performance of the Sydney Symphony Orchestra; this ritual was in honour of her mother. She had performed it every year since her mother had passed ten years before. This sad event was followed, three years later, by her father’s passing.

Facing her mid-thirties, even with her personal success as a musician in theater orchestras, did not fill the void left by a lack of family. Marie-Claire felt the heavy cloak of aloneness as a burden she would love to cast off. She began humming The Dance of the Sugar Plum Fairies again; her father had loved every bar of The Nutcracker, by Tchaikovsky. She wondered why she wasn’t humming the her mother’s favourite, Beethoven’s Fifth since the evening’s outing was in memory of her. She glanced at her antique watch, and decided not to put her mother’s old vinyl recording on the player.

It was a November evening and the frequent rain had lessened.

I’ll walk to the Opera house, she thought as she reached for her coat. As she did so she felt the pearls at her neck give way.

“Frig,” she said as she tried, in vanity, to catch the pearls in her hand. They bounced against the architraves and the pendant fell to the ground. She felt a pearl half way down the back of her dress. She wriggled to dislodge it, and it became the caboose of the train of pearls resting at the base of the wall. She scooped as many as she could into a bowl that sat on the sideboard. Seeing the time on her watch, she hurried out the door.

***

Liam seated himself in the concert hall at the Opera house twenty minutes before the concert of Bruch and Mahler’s music was to begin. He was the first person to arrive, and when most of the attendees arrived about eight minutes before the curtain, he noticed  Marie-Claire finding her seat from where he was seated: two seats behind her, and to the left.

What a stunning woman, he thought observing her graceful figure. Her elegant neck was enhanced by a simple up-do formed out of shining black hair. The dip in the back of her dress showed flawless ivory skin. She turned her head as she stood to allow a patron to pass into a seat to her right, and he got a glimpse of one brown eye framed by sooty lashes, a sculptured cheek and generous mouth.

 

The lights dimmed, and his enjoyment of the first strains of Bruch’s Violin Concerto No. 1 softened his disappointment at being distracted from the woman’s beauty. He listened, losing himself in the music. Already Ashkenazy was conducting a piece that lived up to its’ reputation as a dramatically varied piece of music. He settled as he heard and felt the strains of the music change from the plaintive tears and storms of its’ opening phrases, into a sweet melodious passage, seemingly answered by the next passage with folksy cheerfulness. After 50 minutes, the orchestra had also finished  the first two movements of Mahler’s Symphony in C Sharp Minor.  The third movement was Liam’s favourite but it would start after the intermission.

 

His eyes focused on the beautiful woman. He observed that she stood, stretched, and looked around. She moved out into the aisle and looked through the door at the queue winding its’ way to the bar. She stood for a few minutes, looked at her watch, and returned to her seat. He observed that she wore a pair of large smoky blue pearls in her earlobes.

The second part of the concert began, and he stood up, sat down and shifted his legs to allow those who had lingered by the entry doors to move into seats to his right. Liam relaxed as he heard the music begin again; he really couldn’t understand why so many of his friends labelled classical music as boring.

The conductor reminded the audience that the evening was meant to showcase the best of Bruch and Mahler. He assured them that he and the Orchestra had enjoyed their rehearsals for this special presentation.  

“Now, we will continue with the next three movements of Mahler’s symphony. The third movement is a light-hearted movement, played Scherzo. Following it will be movements four and five, slow and forceful. Please sit back, relax and enjoy the music.”

 

The concert ended too soon for Liam. He stretched his arms as the audience members in his row left. He enjoyed the luxury of sitting thinking about the wonder of the music.  

I must open my eyes to catch a glimpse of that gorgeous woman, he thought.

He was relieved she was still seated. She seemed a calm oasis, as the disarray of the concert hall swept past her. She stood for a moment when an audience member returned to secure a dropped pair of glasses from under a nearby seat.  When the stranger had left, she stood for a few seconds before lifting her coat from the back of her chair, and he noticed that one of her earrings was missing. He looked again.

Nothing in the left ear.

He called, “Excuse me, you’ve lost one of your earrings.”  

In the hub bub, she did not discern his voice. She was moving away now. He moved to her seat, and felt down the back of it. At the base the pearl was stuck, by its post, into the weave of the fabric. He glanced around for the back of the thing, but was unable to see it.

I must catch up with her.

He pushed his way past some stragglers and down the hall leading to the foyer.

She’s tall, he thought and paused.

He closed his eyes to avoid distractions, remembering other details. Opening his eyes again, he saw her. There she was to his far left, exiting the foyer.

He bolted, from a stand still, yelling, “Excuse me.”

He felt like an idiot as he slowed to a stroll, puffing and panting, about five metres behind her.  

He waited until they were under a light, and amongst other people. He gasped out the words.

“Excuse me, I believe you lost one of your earrings in the concert hall.”

 

***

Marie-Claire stared at him.

Could it possibly be? it must be him she thought.

The thought made her shiver. He looked so familiar, and one eye was brownish and the other green, the way she remembered from her girlhood.

She shifted her clutch to high up under her right arm, felt her earlobes. He held out his right palm with the blue pearl in it, and gestured toward it with his left hand.

“I didn’t find the back, I’m sorry.”

She felt him watching her as she took the pearl and zipped it into an inside compartment of her purse. She tested the ear stud in her right earlobe, pushing against the back to check it was secure. She stared until she became aware he was folding his arms, continuing to look back at her.

She said, “I’d like to thank you for being so kind. Can I buy you a drink?”

She felt her hands trembling as she adjusted her clutch again. He smiled broadly; as if reassuring her. Her face felt stiff with shock. It began to rain.

She thought, what an odd meeting this is on the anniversary of mother’s death. She would not approve.

His voice was light-hearted,interrupting her thoughts, “That would be lovely.”

They walked down the block to a Café, in which half the tables were full. She walked ahead of him and asked for a table for two.

She tried not to say his name before he said, by the way, I’m Liam. They waited in silence for the two Irish coffees they ordered. They touched hands awkwardly across the shiny surface of the table in the booth by the front window. Soon they were sipping the coffee,still in silence. She like a schoolgirl visiting the Principal’s office.

“The whisky in this is good,” she said and he nodded.

Another 60 seconds ticked away as they sipped.

“I can’t thank you enough for returning the pearl stud. The pair of studs belonged to my late father’s sister whom I only met a few times. Having them makes me feel more connected with my Dad’s family, now that he’s gone.”

Liam said, “Is your loss recent?”

“My Dad died seven years ago, but I still miss him. But it’s the anniversary of my mother’s death today.”

Liam hunched forward and the pressure of his thigh scrunched the folded handkerchief in his pocket. He said, “I have two half-sisters, one that I met once, and one in her teens. Anyway, I’m used to comforting my sister, if you want to cry.”

He could feel a flush starting at the back of his neck.

Marie-Claire spoke, “You look almost exactly like my father at your age – around 30?  You could be his 30s’ doppelganger.”

The left corner of her mouth went up, and her forehead creased.  “This is awkward.”

She reached into her bag and opened her wallet. She extracted a photo and slid it across the table. It was a picture of a man.  

He looked at it and said, “This man looks a lot like me I agree, in fact he might resemble my father.”

His hands began to sweat.

“I’m going to ask you a question. Don’t be shocked.”

He stared at her mouth.

“Did you ever live in the Blue Mountains? Is it possible that your mother was my father’s mistress? I believe I’m that half-sister you met once. The woman who gave me these pearl studs came with me and my father on a visit to your house all those years ago. Do you remember?”

His hands seemed to flutter on the table like the wings of an injured bird. His eyes began to water. He grabbed his drink and gulped noisily.

“Yes,” he breathed out. He raised his voice, and said, “I had hoped your mother would have changed her mind long before he died. When I heard nothing, I knew there was no point making a scene by turning up at the funeral. If I had gone to the funeral I would have known who you were tonight.”

He glanced sideways and saw the reflection of the bar tender, he was leaning across the bar looking at them.

Marie-Claire placed her hand over Liam’s wrist.

“My father told me about you a month after my 21st birthday. He said, that boy we visited is my son, to Mary Davies. He is your half-brother, Liam Souther Davies. I am so proud of him, but your mother can never know about him.”

She sighed. “My father and I were pretty close, but it took some time to digest the news. I never mentioned anything to my mother.”

Liam cleared his throat. He placed his fists on the edge of the table.

She went on, “About six months later he stopped making his fortnightly trips to the Blue Mountains. I got busy with my career as a musician. But I could have made inquiries. I am so sorry.”

Liam felt tears on his cheeks. She was rubbing his arm. He grappled for the handkerchief in his pocket, and grasping it turned his face to the wall, wiped his eyes and blew his nose.

When he was calmer, he said, “I went away to boarding school, then university. My Mum broke it off with Dad because he wouldn’t marry her. He never loved me enough to leave his wife, she told me. But he supported me through my entire education.”

“Dad told me you went to Blue Mountains Grammar and then to Knox, completed a Masters in Civil Engineering at Sydney U, and travelled overseas to work on important projects in the developing world. He was proud of you. He loved my mother very much but she would never have accepted you. He was glad he was your father.”

The words spilled out.  She didn’t know whether they were to comfort him or make herself feel better.She reached for his arm again, and he shuffled it away toward his side of the table.

Liam shrugged, “I appreciate that he knew about what I did, but I don’t know how important those projects ended up being.”

She said, “You seem to have inherited more than my father’s looks. Despite his failings, he had a sensitive, modest side. In my teen drama queen days, he used to calm me right down.”

She smiled at him, partly in relief because the fact that her mother had died before her father hadn’t come up.

For a moment, she felt as if her mind and body separated with the strength of her longing for that familial sense of connection.

She thought, I don’t want to regret this chance.

Her strength returned and she resisted the urge to rush away.

“I remember that meeting when you when you were a boy, you were about eleven.”

He nodded, and they sat in silence, musing.

He smirked,”I showed you my maps.”

“We both knew we would travel,” she said.

“And we did,” they said together.

Their mutual eruption of  laughter surprised them.They returned to silence, and Liam began to look pensive.

“I can’t believe he is dead.”

Marie-Claire touched his hand. She extracted a card from her purse.

“This is enough for one night, but please don’t be a stranger.”

He took the card and read her name. Marie-Claire Blaxland Souther.

She said, “I’d love it if you kept in touch. Don’t hesitate to call or email.” She wondered if he would keep the card.

She felt his eyes on her back, as she walked away. She crossed the pavement with tiny steps, aware of the slippery soles of her patent leather heels. She approached a taxi parked outside the Café window. Leaning inside, she escaped the rain dampening the pavement. She could see Liam still seated in the booth. As the taxi pulled away, his solemn face  appeared as if  superimposed over the blurred reflections in the street’s slick surface.

 

The End

Cheers – Round 1 – NYC Midnight Flash Fiction Challenge

Jen’s back with her great enthusiasm for the NYC Midnight competitions. If it wasn’t for her I never would have tried it. Thanks Jen and all the best.

Jen's Pen Den

Greetings, blog followers! Yes, it’s me. And, yes, I’m still alive.

As you’ve may (or may not) have noticed, I’ve been absent from the blog world the past few months (er, maybe longer). I made a New Year’s resolution to put all of my attention and free time into finishing my novel, which I almost have! By the end of summer/early fall, I should have my manuscript and query letter ready to go for literary agents (eeks!).

This past weekend, I decided to reward my good, focused behavior by participating in my 5th NYC Midnight (NYCM) Flash Fiction Challenge (FFC). To be honest, I signed up for this writing contest a couple of months ago hoping my novel would be in my betas’ hands when the challenge kicked off…Wrong! My betas returned their notes a couple of weeks ago, and I’ve been revising ever since. So, it was really…

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Randall’s Ramblings from May 21, 2017

I really enjoy Randall and he’s a gent who once sent my link to his followers. He always has some interesting tidbits on his life, lets you know his progress on his latest book, and shares sites of interest to fellow writers and creatives. As soon as I go back to reading fiction I plan to check out one of Randall’s action novels. All the best to Randall and other writers out in the big wide world. Besides I was crushing on that picture of a Woodpecker. As an Aussie I thought we had all the colourful birds in the world! Thanks Randall.

Writing by Randall

The middle of the past week brought excellent weather to our area, especially for this time of year. On Wednesday, the temperature topped out at 85F/29C, followed by 82F/28C. I thought we were on to a good thing.

The warm weather brought around the first hummingbird of the season. It couldn’t find its normal feeder, which was still in the garage, so I quickly cleaned the container and placed it in the tree. We also had a visit from our first Baltimore oriole–its special swing (where we can place orange slices) is ready to go.

Of course we saw all of our regulars who braved the cold Michigan winter, but the best surprise came on Thursday, with our first sighting since moving here four years ago.

KODAK Digital Still CameraOur first red-headed woodpecker!  What a beauty. We’ve had downy, hairy, and red-bellied woodpeckers and an occasional northern flicker, but this one is definitely…

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